The 5 finest thrillers to look at on Netflix this March

This month’s installment in our common roundup of the perfect thrillers to look at on Netflix brings but extra bespoke suggestions plumbed from the depths of the service’s broad and ever-changing library. Facet-step the algorithm and allow us to inform you what to look at this week.

What makes for a fantastic March thriller? We’re nearing the latter half of winter, which implies the times are getting drearier with rare rain, hail, and intermittent snowstorms mixed with bitter wind chill. At this level within the season, the one recourse is to bundle up and grin and bear the frigid temperatures till spring lastly rears its head. As such, this month’s thrillers roundup is spotlighting a number of the finest comedic thrillers Netflix has to supply, in addition to an assortment of different extra straight-laced decisions to take pleasure in.

Listed below are some thrilling ideas in your March viewing pleasure.

Croupier

12 months: 1998
Run time: 1h 34m
Director: Mike Hodges
Solid: Clive Owen, Nick Reding, Nicholas Ball

No person earlier than or after Clive Owen has rivaled the signature mix of cool masculinity and petty, catty smarm that he brings to so lots of his motion pictures. It’s significantly eager within the criminally underseen 1998 heist thriller Croupier, which leaves Netflix on March 25. Mike Hodges’ movie casts Owen as a would-be novelist who runs out of concepts and money, so he takes a job at a small on line casino. Then he watches and judges everybody round him, utilizing them as fodder for his work, till he’s drawn right into a heist plan that forces him to resolve whether or not he’s a participant on this world, or only a voyeur. It’s a classy, intense character piece that by no means goes significantly huge on the motion, however does discover all of the doable taste in Owen as a performer and casinos as a setting. —Tasha Robinson

I Don’t Really feel at House in This World Anymore

12 months: 2017
Run time: 1h 33m
Director: Macon Blair
Solid: Melanie Lynskey, Elijah Wooden, David Yow

On this grungy potboiler, nurse Ruth (Melanie Lynskey) and her gun-toting neighbor Tony (Elijah Wooden) develop into newbie sleuths to discover a burglar who stole her laptop computer, vintage silverware, and maybe essentially the most valuable factor to an individual who thinks “everybody fucking sucks,” her nervousness meds. Directed by Macon Blair (star of Inexperienced Room and Blue Destroy), I Don’t Really feel at House in This World Anymore is a frozen slush cocktail of Cormac McCarthy violent turns with Seth Rogen-esque punchlines, the place there’s room for cussing octogenarians, ninja-star fights, upper-deckers, pleasant raccoons, exploding physique elements, and a solid of characters representing the complete spectrum of human idiocy. However for all of the hijinks, Blair’s nonetheless spinning a decent thriller with factors to make about our place on this planet, and whereas the sunshine on the finish of the tunnel is likely to be dim, it’s there. —Matt Patches

Play Misty for Me

Picture: Common Footage

12 months: 1971
Run time: 1h 42m
Director: Clint Eastwood
Solid: Clint Eastwood, Jessica Walter, Donna Mills

Earlier than Million Greenback Child, Mystic River, and Unforgiven, Clint Eastwood made his directorial debut on this unnerving thriller about fan obsession. Eastwood stars as Dave, a disc jockey who picks up a lady at a bar solely to find their meet-cute isn’t any accident: Evelyn (Arrested Improvement’s Jessica Walter) is his number-one fan. Whereas not among the many nice stalker thrillers that might construct on its legacy, the mix of Play Misty for Me’s glowing ’70s sheen and lusty hazard makes this one to look at. Walter could also be recognized for her late comedic turns, however right here’s she’s violent and baroque, stopping at nothing in an effort to pierce Dave’s coronary heart and develop into not solely his greatest fan, however his just one. —MP

Shimmer Lake

Picture: Netflix

12 months: 2017
Run time: 1h 26m
Director: Oren Uziel
Solid: Benjamin Walker, Rainn Wilson, Stephanie Sigman

Shimmer Lake is a comedy-of-errors thriller within the vein of the Coen brothers’ Fargo with the nonlinear enhancing model of Christopher Nolan’s Memento. The movie stars Rainn Wilson (The Workplace) as Andy, a hapless prosecutor who’s implicated in a financial institution theft and the next homicide of the financial institution’s proprietor — a notable native decide — and Benjamin Walker (Abraham Lincoln: Vampire Hunter) as Zeke, Andy’s brother and the city’s sheriff assigned to analyze and apprehend the culprits accountable.

It solely will get crazier for the truth that the state of affairs itself unfolds in reverse chronological order, starting within the days following the theft and dealing backward to unravel the motives and actions of these each knowingly and unknowingly complicit within the crime. Fact be informed, Shimmer Lake is a reasonably normal neo-noir pulp thriller that doesn’t should be fairly as sophisticated as its enhancing model makes it out to be, however the expertise of watching — and the revelations afforded by dint of its enhancing — make it a worthwhile watch. —Toussaint Egan

The Name

Picture: Netflix

12 months: 2020
Run time: 1h 52m
Director: Lee Chung-hyeon
Solid: Park Shin-hye, Jeon Jong-seo, Kim Sung-ryung

In his 1610 play The Tempest, William Shakespeare wrote, “What’s previous is prologue.” Had Shakespeare lived to see the twenty first century, he may simply have been describing Lee Chung-hyun’s supernatural horror thriller starring Park Shin-hye (Miracle in Cell No. 7) and Jeon Jong-seo (Cash Heist: Korea – Joint Financial Space).

The Name facilities on Kim Search engine marketing-yeon (Park), a 28-year-old comfort retailer cashier who journeys to her childhood residence within the rural outskirts to go to her sickly, estranged mom. After her telephone is stolen whereas touring, Search engine marketing-yeon solutions the cordless telephone in her mom’s home believing it to be the thieves demanding ransom, solely to appreciate that she is talking to Oh Younger-sook (Jeon), a troubled younger lady held captive by her controlling mom. It doesn’t take lengthy for them to appreciate that the decision is just not solely coming from inside the home, however (dun dun dun) from 20 years aside.

As Search engine marketing-yeon and Younger-sook agree to assist each other, transferring data between the previous and current to enhance their respective conditions, their motivations and feelings develop into entangled with each other in a lethal sport that threatens the lives of everybody round them. In different phrases, The Name is like 2006’s The Lake Home meets 2021’s The Black Telephone. It’s an excellent, albeit at instances unwieldy, time-tripping thriller, and one which definitely warrants standing as certainly one of Netflix’s hidden gems. —TE